People of
As Sri Lankan population is composed with multi-ethnic group, the religion in
This continuous record of settled and civilized life extending over two millennia shows that the content and direction of this civilization was shaped by that of the Indian subcontinent. The island's two major ethnic groups, the Sinhalese and the Tamils, and its two dominant religious cultures, Buddhist and Hindu, made their way onto the island from
A common experience of European colonial rule and its modernizing influences brought
The historic connection between
The island's first human settlers were probably tribes of the proto-Australoid ethnic group, akin to the pre-Dravidian hill tribes of southern
Ehtnic Groups
People of Sri Lanka are divided into four ethnic groups. These are the Sinhalese, the Tamils, the Muslims, and the Burghers. Sinhalese make up 73.8% of the population and are concentrated in the densely populated southwest. Sri Lanka Tamils, citizens whose ancestors have lived on the island for centuries, total about 18% and live predominantly in the north and east. However accurate census figures with regards the Sri Lankan Tamil community have been difficult to quantify, given that large areas of northern
Indian Tamils are a distinct ethnic group and comprise 5.1% of the population. The British brought them to
Religion
Most inhabitants of
Most Sinhalese are Buddhist; most Tamils are Hindu. The Malays and Moors are Muslim. Sizable minorities of both Sinhalese and Tamils are Christians, most of whom are Roman Catholic. The Burgher population is mostly Roman Catholic or Presbyterian. The Veddahs have Animist and Buddhist practices. The 1978 constitution, while assuring freedom of religion, grants primacy to Buddhism.
Buddhism
Theravada Buddhism is the majority religion in
Hinduism
Hindus make up 16% of
As with other religions, it experienced some decline during the European colonization of the country as a result of the heavy emphasis on Christianity. In modern times the religion is still dominant in the Northern and Eastern provinces, among the Tamil ethnic group, though modern day conversions to Christianity still represent some decline.
With 15% of the total population Hinduism is a minority religion in
Islam
By the 15th century, Arab traders had controlled much of the trade on the Indian Ocean, including that of
In modern times, Muslims in
Christianity
According to Christian traditions, Thomas the Apostle first arrived in
Even so, Christianity has heavily declined in
Sri Lankan architectural tradition is well displayed at Sigiriya, the best preserved city centre in Asia from the first millennium, with its combination of buildings and gardens with their trees, pathways, water gardens, the fusion of symmetrical and asymmetrical elements, use of varying levels and of axial and radial planning.
The Mahavamsa, the ancient historical record of Sri Lanka, describes King Kasyapa as a parricide, who murdered his father King Dhatusena by walling him up alive and then usurping the throne which rightfully belonged to his brother Mogallana. To escape from the armies of Mogallana, Kasyapa is said to have built his palace on the summit of Sigiriya, but Mogallana finally managed to get to Kasyapa and he committed suicide.
From the summit of the rock, you can see the once magnificent royal pool, the throne, remains of the once majestic palace, walk ways and gardens. To the North is the Pidurangala Rock, where a Buddhist monastery and cave temples are found and near the summit one of the largest reclining Buddha statues made out of brick and mortar. The to South East is what remains of Sigiri Maha Weva, and in the South the Mapagala Rock, which would have been a fortress long before Kasyapa built his city.
To the East is the yet uncleared, unexcavated Eastern Precinct, yet to reveal all the mysteries hidden under the soil. On the West is ONE of the breathtaking views at Sigiriya. You can see the entire Garden, its perfect symmetry and the planning that had gone into making it. Try to visualise what Kasyapa would have been looking at, when the garden was well maintained. Coming down from the rock, you return through a passage between the rock and a brick wall. You would observe that most visitors hurry through the passage. Instead, pause for a moment, look at the brick wall a little closely, and you will find that it still retains the mirror like shine that it would have once had, 1500 years ago, when it was called the ‘Mirror Wall' and poems had been written about it. Examine the wall a little more and you could identify the now fading graffiti, and the caretakers would be able to show a few lines that could still be clearly read.
At the end of the passage is a spiral staircase leading upto one of the remaining pockets of Sigiri frescoes. These frescoes is what you have seen in any article about Sigiriya, and in hotel brochures, wood carvings and batiks. Try to look at the paintings closely and keep them in mind till you get down to the garden. The other pocket is in a rock depression further up and access is from the west side of the summit.
Descend the steps to the South from the mirror wall and you come to the Cobra Hood cave, look at it from a distance and you can see the top of the cave, which really looks like the hood of a cobra. Then study the paining on the roof of the cave.
There are other caves, which had been used long before Kasyapa's time, by Buddhist monks, and also the throne, and what remains of the drains and conduits. All the step like markings that you see on the boulders in this garden would once have been the base for the brick walls, that rose from the boulders, to support tiled roofs for numerous buildings. It is not easy to imagine what it would have looked like, with all the building in a perfect blend with the boulders and the massive rock towering above. Some of the caves also have a few patches of plaster with traces of paintings.
Look back at the rock from here, over the boulder garden and the Terraced garden and see the Mirror Wall. Above the Mirror wall, look carefully for the signs of a drip-ledge more than half way up the rock, and identify the entire area from this ledge down to the mirror wall. try to imaging this entire rock face as one huge painting, for that is what it would have been if you had been there 1500 years ago. Then look around you, at the pavilions, where the ladies of the palace would be playing and swimming in the pools.
Then you enter the Water garden. To the north is the Octagonal Pond, where perhaps the king enjoyed his bath. Then the pathway leads to the fountains, which would be active during the rainy season, then the summer palace surrounded by water. There would have been roofed pavilions around the larger pools. Then the
You leave the garden across the moat, and visit the museum, where you could see the terracotta suvenirs, which would have been for sale to visitors like you over a 1000 years ago. Then all the other artefacts and findings from the Sigiriya excavations, including the findings from the urn burial sites a few miles away.
John Still in 1907 had observed that; "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps".
The paintings would have covered most of the western face of the rock, covering an area 140 meters long and 40 meters high. There are references in the Graffiti to 500 ladies in these paintings
Music of
1) Traditional folk music of
2) Local drama music (Kolam/Nadagam/Noorthy)
Kolam music based on law country tunes and it is not a developed form of music, as tunes were not developed. Limited to very few notes about 3~4 and used by the ordinary people for pleasure and entertainments.
Nadagam music is more developed form of drama influenced from South Indian street drama which was introduced by some South Indian Artists.Phillippu Singho from Negombo in 1824 Performed ?Harishchandra Nadagama? in Hnguranketha which was originally written in Telingu language. Later ?Maname?, ?Sanda kinduru? and few others were introduced.
C. Don Bastian of Dehiwala introduced Noorthy firstly by looking at Indian dramas and then John De Silva developed it and did Ramayanaya in 1886.
3) Hindustani classical music (Ragadari Music)
Ravindranath Tagor visited
4) South Indian classical music (Karnataka Music)
This type of Music can be seen in South India and northern part of
5) Tamil and Hindustani Film music
6) Western classical music
British wanted to introduce western music to Sri Lanka during their period of rule from 1815.It was a success and soon Sri Lankan were able to learn the piano as it was not that difficult to learn as Indian music.
7) Sinhala light music
Some artist visited
Nowadays this is the most popular type of music in
The music of
Portuguese colonizers arrived centuries after the Buddha, in the mid 1400s, bringing with them cantiga ballads, ukuleles and guitars; as well as African slaves (referred to, historically, as kaffrinhas), who brought with them a style of music now referred to as baila. The people of these two regions, and the musical traditions they brought with them, served to contribute further to the diverse musical roots of modern Sri Lankan music
For many years, what were considered new Sri Lankan pop songs (other than baila songs), were, in large part, drawn heavily upon melodies found in Indian films - adapted to a Sri Lankan audience by substituting their original lyrics with Sinhala/Tamil lyrics.
The earliest stars of Sri Lankan recorded music came from the theater at a time when the traditional open-air drama (referred to in Sinhala as kolam, sokari or nadagam) remained the most popular form of entertainment. A 1903 album, entitled Nurthi, is the first recorded album to come out of
During the early 1960s, music that had been produced for Indian films had grown to become the most popular kind of music in
At the peak of this revolution, musicians such as Mohamed Ghouse, Nimal Mendis, Premasiri Kernadasa and W. D. Amaradeva began pioneering a uniquely Sri Lankan style of film music. This was followed, in the mid-1960s, by the introduction of pop groups such as Los cabelleros led by Neville Fernando, The La Bambas, The Humming Birds and Los Muchachos; all of whom played calypso-style baila borrowing their style from Caribbean folk-singer Harry Belafonte. This mixture of
Sri Lankan pop/film music managed to hold a large portion of
Western classical music has been studied and performed in
Since 1998, Many Pop/R&B groups have emerged in
Kandyan Dance
This Dance form flouished under the Kandyan Kingd and is today considered the national dance of
The most popular dance form in
while dancing and Udekki where an hourglass like hand drum is beaten while reciting verses are two other variations of Kandyan dancing.
Masked Dance
There are four folk-drama forms:kolam,sokari, nadagan and pasu. Best known is the kolam (Tamil for costume or guise). Kolam has many characters - one estimate puts them at 53 - many of which are grotesque, with exaggerated deformities. These are the demons, who may have a cobra emerging from one nostril, bulging eyes or tusks.
Performance are traditionally held at the New Year, over a period of thress to five nights. Included in the coast of performersare singers, two drummers and a master of ceremonies. The Whole thing kicks off with songs in praise of the Buddha. The master of ceremonies. The whole thing kicks off with songs in praise of the Buddha. The master of ceremonies then explains how the kolam began (an including king's wife had carving while pregnant to see a masked dance-drama).
Devil Dance
Traditionally, devil dancing is performed to free a person from demons, evil spirits or just plain bad luck caused by malignant spirit. The devil dancers themselves belong to a low-caste community and specialise in this art form.
There are many types of devil dance. One, the sanni yakku, is performed to exorcise the disease demon. The demon is represented by a range of characters including a pregnant woman and a mother. Other ances include the kohomba kankariya, which is performed to ensure prosperity, and the bali, which is performed for the benifit of havenit beings.
The origin of Sri Lankan dances goes back to immemorial times of aboriginal tribes and "yakkas" (devils). According to a Sinhalese legend, Kandyan dances originate, 2500 years ago, from a magic ritual that broke the spell on a bewitched king.
An ancient chronicle, the Mahavamsa, states that when the culture hero Vijeya landed in
Kandyan dance takes its name from
Ves Dance. Ves dance, the most popular, originated from an ancient purification ritual, the Kohomba Yakuma or Kohomba Kankariya. The dance was propitiatory, never secular, and performed only by males. The elaborate ves costume, particularly the headgear, is considered sacred and is believed to belong to the deity Kohomba. (See Kohomba Kankariya and Ves Dance.)
Only toward the end of the nineteenth century were ves dancers first invited to perform outside the precincts of the
Naiyandi Dance. Dancers in Naiyandi costume perform during the initial preparations of the Kohomba Kankariya festival, during the lighting of the lamps and the preparation of foods for the demons. The dancer wears a white cloth and white rurban, beadwork decorations on his chest, a waistband, rows of beads around his neck, silver chains, brass shoulder plates, anklets, and jingles. This is a graceful dance, also performed in Maha Visnu (Vishnu) and Kataragama Devales temples on ceremonial occasions.
Uddekki Dance. Uddekki is a very prestigious dance. Its name comes from the uddekki, a small lacquered hand drum in the shape of an hourglass, about seven and half inches (18 centimeters) high, believed to have been given to people by the gods. The two drumskins are believed to have been given by the god Iswara, and the sound by Visnu; the instrument is said to have been constructed according to the instructions of Sakra and was played in the heavenly palace of the gods. It is a very difficult instruments to play. The dancer sings as he plays, tightening the strings to obtain variations of pitch.
Pantheru Dance. The pantheruwa is an instrument dedicated to the goddess Pattini. It resembles a tambourine (without the skin) and has small cymbals attached at intervals around its circumference. The dance is said to have originated in the days of Prince Siddhartha, who became Buddha. The gods were believed to use this instrument to celebrate victories in war, and Sinhala kings employed pantheru dancers to celebrate victories in the battlefield. The costume is similar to that of the uddekki dancer, but the pantheru dancer wears no beaded jacket and substitutes a silk handkerchief at the waist for the elaborate frills of the uddekki dancer.
Vannams. The word vannam comes from the Sinhala word varnana (descriptive praise). Ancient Sinhala texts refer to a considerable number of vannams that were only sung; later they were adapted to solo dances, each expressing a dominant idea. History reveals that the Kandyan king Sri Weeraparakrama Narendrasinghe gave considerable encouragement to dance and music. In this Kavikara Maduwa (a decorated dance arena) there were song and poetry contests.
It is said that the kavi (poetry sung to music) for the eighteen principal vannams were composed by and old sage named Ganithalankara, with the help of a Buddhist priest from the
Accompaniment. The vannams tradition is to sing thanama, a note of the melody to each syllable. Thitha, the beat indicated with the cymbals, gives the rhythmic timing. Other elements include kaviya, the poem vocalized by the dancer; beramatraya, the rhythm of the drum; kasthirama, the finale of the first movement of the dance; and seerumarauwa, the movement in preparation for the addawwa, the finale of rhythmic body and foot movements, the last embellishment.
The drum is an integral part of Kandyan dance, and sanctity is associated with drums and drumbeats. The notes of the basic drum scale, tha-ji-thoh-nun, are salutations to Buddha, the gods, the master (gurunnanse) or the preceptor, and the audience, respectively.
The most important drum for Kandyan dance is the gete-bere (gete means "boss"); it is also called magul-bere (ceremonial drum) since it is used for all festive and ceremonial occasions throughout the country. It is believed to have been constructed under the directions of the Maha Brahma, the supreme god. The cylinder is scooped out of a single block of wood twenty-seven inches (67 centimeters) long. The skins are monkey skin on the right and oxhide on the left, to give very different tones. The braccs are made of deerskin and are adjusted to give the desired tension in tuning. The drum is slung around the waist of the drummer and is played with both hands. The davula and the thammattama are other drums that are also used in temple ceremonies, rituals, and road pageants, called pereheras. With the patronage of the Sinhala royalty, Kandyan dance has flourished over the years as an institution vital to the socio-religious life of the people of
Drums in use today are:
1. Geta Bera (Bera Drum)
2. Yak Bera
3. Davula
4. Thammattama
5. Udakkiya
6. Dakkiya
7. Bummadiya
8. Hand Rabana
9. Bench Rabana
10. Dandu Beraya,
and Sri Lankan Drum Tradition is believed to go as far back as 2500 years.
An examination of the village society in olden times would reveal that drums were used on special occasions during the life span of people, from their birth to the death. Drums, which were originally used, for pleasure and later for rituals, came to be used in the Buddhist Temples for the many ceremonies. At a later stage, Drums were also used as a means of communication. The Davula, Thammattama and the Bench Rabana have an important place in matters of communication. Some of these functions are:
1. Ana Bera - to inform the people about orders from the King.
2. Vada Bera - drums played when a criminal is taken for beheading,
3. Mala Bera - drums used in a funeral procession and
4. Rana Bera - drums used by the army when going out to meet the enemy.
Geta Bera: This is the main drum used to accompany dances in the Kandyan or the Hill Country tradition. This drum is turned out of wood from Ehela, Kohomba or
Yak Bera: This drum is referred to by many names among which are the Ruhunu Bera, Devol Bera and Ghoskaya. This drum normally accompanies the dances from the low country, especially the mask dancing connected with rituals and the folk play Kolam. The drum is turned out of wood taken from the Kohomba, Ehela, Kitul or Milla trees. This is a cylindrical drum, fairly long and is played on both sides with hands. The openings on the two sides of the drum are covered with the stomach lining of a cow. The strings used to tighten the sides are from cattle skin. A student has twelve elementary exercises to learn to play this drum.
Davula: This drum is used in most of the Buddhist ceremonies all over the island. This drum is cylindrical, but much shorter than the Yak Bera. An important feature of this drum is that one side is played with the hand while the other side is played with a stick. The sides are covered with cattle skin and the tightening is done with a string made specially for the purpose. These are also twelve elementary exercises to be followed by a person learning to use the drum.
Thammattama: This is also referred to as the Twin Drum. This drum is played with two sticks. The tow drums are of different sizes and while the right one produces a louder sound, the left one produces a looser sound. The drums which have only the top side covered either with the skin of the cow or a buffalo. The wood used is from
Udekkiya: The smallest drum among the local drums is the Udekkiya. This is played with one hand the sound is controlled by pressure applied on the strings. The drum is lie the hour glass and is made out of wood from Ehela, Milla and Suriya. The drum is painted with lacquer. The openings are covered with skin from the iguana, monkey or goat.
Dakkiya: This is similar to the Udekkiya, but bigger. This is used mainly for rituals. The drum is hung on the shoulder of the player and the sound is controlled by applying pressure on the strings.
Bummadiya: This is the only drum turn out of clay. The single opening is covered with the skin of goat, monkey or iguana. The drum is hung on the shoulder of the player and it is played with both hands. During harvesting, people could be seen playing this drum accompanied by singing. The drum is in the shape of a pot.
Hand Rabana: Rabana is about one foot in diameter and is turn out of wood from
Bench Rabana: This is the biggest of the drums used in
Christianity firstly came to Sri Lanka upon the arrival of the Portuguese in the sixteenth century. Under their rule, Roman Catholicism was spread out in a mass scale of the Island with many Roman Catholic schools for the Sinhalese and the Tamils. The missionary activities ran well, especially among communities on the western coast of the island.
With the attempts of the Portuguese to Christianize native people, Buddhism and Hinduism were severely affected. There were an increasing number of both Sinhalese and Tamils converting to Roman Catholicism, perhaps on one reason of social mobility.
When the Portuguese was driven out by the Dutch, Protestantism and the Dutch Reformed Church was introduced, coming to the prominence particularly in Colombo than elsewhere.
During the British Rule, more conversions could be seen among minor minorities as well. Christian churches were than the normal sight throughout Sri Lanka. However, due to the nationalism movement among the Sinhalese who held sway the political power, Christianity in Sri Lanka was somewhat restricted.
The Dhammapada
From ancient times to the present, the Dhammapada has been regarded as the most succinct expression of the Buddha's teaching found in the Pali Canon and the chief spiritual testament of early Buddhism.It is an ever-fecund source of themes for sermons and discussions, a guidebook for resolving the countless problems of everyday life, a primer for the instruction of novices in the monasteries. Even the experienced contemplative, withdrawn to forest hermitage or mountainside cave for a life of meditation, can be expected to count a copy of the book among his few material possessions. Yet the admiration the Dhammapada has elicited has not been confined to avowed followers of Buddhism
Buddhism in
Buddhism among other religions in
The first confrontation of the Sinhalese king named Devanampiyatissa and Arhat Mahinda, the celebrated missionary of Buddhism in 306 B.C. (237 years after the death of the Buddha) paved way for the establishment of Buddhism in
When Arhat Mahinda came to
Mahinda's arrival in
Buddhism was regarded the highest ethical and philosophical expression of Sinhalese culture and civilization, becoming later the significant influence on national identity among the Sinhalese Buddhists. The consciousness of Buddhist identity of the Sinhalese was so strong that they claimed Sri Lanka belonged to the Buddha, and the Sinhalese people themselves were then designated to be the "protector of Buddhism" according to the most important chronicle of the early Sinhalese-Buddhist in Sri Lanka, Mahavamsa. Particularly, for the kings, they were the "head" as well as the "defender of Buddhism". The suitable king to assert the throne must be Buddhist, and he was responsible for supporting religious institutions while constructing and restoring monasteries and other Buddhist shrines.
In times gone by, the flourishing Buddhism encountered the great change from the foreign occupation which resulted in the savagely persecuted Buddhism and introduction of Christianity into the island. Despite that, the faith in Buddhism steadily grew at the same time of nationalism against the invaders among the Sinhalese-Buddhists.
The movement of nationalism made efforts to assert the Sinhala Buddhist identity and to legitimize Sinhala control over the country's polity by reviving many elements of the "origin mythology" to reconstruct an image of the Sinhala past. The chronicle of Mahavamsa was thus served as the testament of Sinhala rights to reestablish Sinhala-Buddhist hegemony of the island over non-Sinhala and non-Buddhist groups. With the ideology that the Sinhalese were the protector of Buddhism and that
Buddhism
Buddha (563?-483? BC), Indian philosopher and the founder of Buddhism, born in
All the surviving accounts of Buddha's life were written many years after his death by idealizing followers rather than by objective historians. Consequently, it is difficult to separate facts from the great mass of myth and legend in which they are embed ded. From the available evidence, Buddha apparently showed an early inclination to meditation and reflection, displeasing his father, who wanted him to be a warrior and ruler rather than a religious philosopher. Yielding to his father's wishes, he married at an early age and participated in the worldly life of the court.
Buddha found his carefree, self-indulgent existence dull, and after a while he left home and began wandering in search of enlightenment. One day in 533, according to tradition, he encountered an aged man, a sick man, and a corpse, and he suddenly and deep ly realized that suffering is the common lot of humankind. He then came upon a mendicant monk, calm and serene, whereupon he determined to adopt his way of life and forsake family, wealth, and power in the quest for truth. This decision, known in Buddhism as the Great Renunciation, is celebrated by Buddhists as a turning point in history. Gautama was then 29 years old, according to tradition.
Wandering as a mendicant over northern
After 45 years of missionary activity Buddha died in
Buddha was one of the greatest human beings, a man of noble character, penetrating vision, warm compassion, and profound thought. Not only did he establish a great new religion, but his revolt against Hindu hedonism, asceticism, extreme spiritualism, and the caste system deeply influenced Hinduism itself. His rejection of metaphysical speculation and his logical thinking introduced an important scientific strain heretofore lacking in Oriental thought.
Buddha's teachings have influenced the lives of millions of people for nearly 2500 years.
Asian Expansion
King Asoka's son Mahinda and daughter Sanghamitta are credited with the conversion of
According to tradition, Theravada was carried to
Both Mahayana and Hinduism had begun to influence
Although opposed by the Confucian orthodoxy and subject to periods of persecution in 446, 574-77, and 845, Buddhism was able to take root, influencing Chinese culture and, in turn, adapting itself to Chinese ways. The major influence of Chinese Buddhism e nded with the great persecution of 845, although the meditative Zen, or Ch'an (from Sanskrit dhyana, "meditation"), sect and the devotional
From
Buddhism was carried into
Buddhism was first introduced into
Some seven centuries later Tibetan Buddhists had adopted the idea that the abbots of its great monasteries were reincarnations of famous bodhisattvas. Thereafter, the chief of these abbots became known as the Dalai Lama. The Dalai Lamas ruled
Conflict and New Groupings
As Buddhism developed in its early years, conflicting interpretations of the master's teachings appeared, resulting in the traditional 18 schools of Buddhist thought. As a group, these schools eventually came to be considered too conservative and literal minded in their attachment to the master's message. Among them, Theravada was charged with being too individualistic and insufficiently concerned with the needs of the laity. Such dissatisfaction led a liberal wing of the sangha to begin to break away fro m the rest of the monks at the second council in 383 BC. While the more conservative monks continued to honor the Buddha as a perfectly enlightened human teacher, the liberal Mahasanghikas developed a new concept. They considered the Buddha an eternal, om nipresent, transcendental being. They speculated that the human Buddha was but an apparition of the transcendental Buddha that was created for the benefit of humankind. In this understanding of the Buddha nature, Mahasanghika thought is something of a pro totype of Mahayana.
Mahayana
The origins of Mahayana are particularly obscure. Even the names of its founders are unknown, and scholars disagree about whether it originated in southern or in northwestern
The body of essence represents the ultimate nature of the Buddha. Beyond form, it is the unchanging absolute and is spoken of as consciousness or the void. This essential Buddha nature manifests itself, taking on heavenly form as the body of communal blis s. In this form the Buddha sits in godlike splendor, preaching in the heavens. Lastly, the Buddha nature appears on earth in human form to convert humankind. Such an appearance is known as a body of transformation. The Buddha has taken on such an appearan ce countless times. Mahayana considers the historical Buddha, Siddhartha Gautama, only one example of the body of transformation.
The new Mahayana concept of the Buddha made possible concepts of divine grace and ongoing revelation that are lacking in Theravada. Belief in the Buddha's heavenly manifestations led to the development of a significant devotional strand in Mahayana. Some scholars have therefore described the early development of Mahayana in terms of the "Hinduization" of Buddhism.
Another important new concept in Mahayana is that of the bodhisattva or enlightenment being, as the ideal toward which the good Buddhist should aspire. A bodhisattva is an individual who has attained perfect enlightenment but delays entry into final nirva na in order to make possible the salvation of all other sentient beings. The bodhisattva transfers merit built up over many lifetimes to less fortunate creatures. The key attributes of this social saint are compassion and loving-kindness. For this reason Mahayana considers the bodhisattva superior to the arhats who represent the ideal of Theravada. Certain bodhisattvas, such as Maitreya, who represents the Buddha's loving-kindness, and Avalokitesvara or Kuan-yin, who represents his compassion, have become the focus of popular devotional worship in Mahayana.
Tantrism
By the 7th century AD a new form of Buddhism known as Tantrism had developed through the blend of Mahayana with popular folk belief and magic in northern
From
Buddhism spread rapidly throughout the land of its birth. Missionaries dispatched by King Asoka introduced the religion to southern
New Sects
Several important new sects of Buddhism developed in
Zen advocated the practice of meditation as the way to a sudden, intuitive realization of one's inner Buddha nature. Founded by the Indian monk Bodhidharma, who arrived in
Instead of meditation,
A distinctively Japanese sect of Mahayana is Nichiren Buddhism, which is named after its 13th-century founder. Nichiren believed that the Lotus Sutra contains the essence of Buddhist teaching. Its contents can be epitomized by the formula "Homage to the L otus Sutra," and simply by repeating this formula the devotee may gain enlightenment.
Institutions and Practices
Differences occur in the religious obligations and observances both within and between the sangha and the laity.
Monastic Life
From the first, the most devoted followers of the Buddha were organized into the monastic sangha. Its members were identified by their shaved heads and robes made of unsewn orange cloth. The early Buddhist monks, or bhikkus, wandered from place to place, settling down in communities only during the rainy season when travel was difficult. Each of the settled communities that developed later was independent and democratically organized.
Monastic life was governed by the rules of the Vinaya Sutra, one of the three canonical collections of scripture. Fortnightly, a formal assembly of monks, the uposatha, was held in each community. Central to this observance was the formal recitation of th e Vinaya rules and the public confession of all violations. The sangha included an order for nuns as well as for monks, a unique feature among Indian monastic orders. Theravadan monks and nuns were celibate and obtained their food in the form of alms on a daily round of the homes of lay devotees. The Zen school came to disregard the rule that members of the sangha should live on alms. Part of the discipline of this sect required its members to work in the fields to earn their own food.
In
Lay Worship
Lay worship in Buddhism is primarily individual rather than congregational. Since earliest times a common expression of faith for laity and members of the sangha alike has been taking the Three Refuges, that is, reciting the formula:
"I take refuge in the Buddha.
I take refuge in the dharma.
I take refuge in the sangha."
Although technically the Buddha is not worshiped in Theravada, veneration is shown through the stupa cult. A stupa is a domelike sacred structure containing a relic. Devotees walk around the dome in a clockwise direction, carrying flowers and incense as a sign of reverence.
The relic of the Buddha's tooth in
In Mahayana countries ritual is more important than in Theravada. Images of the buddhas and bodhisattvas on temple altars and in the homes of devotees serve as a focus for worship.
Prayer and chanting are common acts of devotion, as are offerings of fruit, flowers, and incense. One of the most popular festivals in
Buddhism Today
One of the lasting strengths of Buddhism has been its ability to adapt to changing conditions and to a variety of cultures. It is philosophically opposed to materialism, whether of the Western or the Marxist-Communist variety. Buddhism does not recognize a conflict between itself and modern science. On the contrary, it holds that the Buddha applied the experimental approach to questions of ultimate truth.
In
Under the Communist republics in
In
Only in
Growing interest in Asian culture and spiritual values in the West has led to the development of a number of societies devoted to the study and practice of Buddhism.
Zen has grown in the
As its influence in the West slowly grows, Buddhism is once again beginning to undergo a process of acculturation to its new environment. Although its influence in the
Buddhism was introduced to Sri Lanka in the third century B.C. from India, where it had been established by Siddartha Gautama three centuries earlier.The powerful Indian monarch, Asoka, nurtured the new comprehensive religio-philosophical system in the third century B.C. Asoka's conversion to Buddhism marks one of the turning points in religious history because at that time, Buddhism was elevated from a minor sect to an official religion enjoying all the advantages of royal patronage. Asoka's empire, which extended over most of
The Buddhist tradition of chronicling events has aided the verification of historical figures. One of most important of these figures was King Devanampiya Tissa (250-c. 207 B.C.). According to the Mahavamsa, Asoka's son and emissary to
Subsequent events also contributed to
Devanampiya Tissa was said to have received Buddha's right collarbone and his revered alms bowl from Asoka and to have built the Thuparama Dagoba, or stupa (Buddhist shrine), to honor these highly revered relics. Another relic, Buddha's sacred tooth, had arrived in
The connection between religion, culture, language, and education and their combined influence on national identity have been an age-old pervasive force for the Sinhalese Buddhists. Devanampiya Tissa employed Asoka's strategy of merging the political state with Buddhism, supporting Buddhist institutions from the state's coffers, and locating temples close to the royal palace for greater control. With such patronage, Buddhism was positioned to evolve as the highest ethical and philosophical expression of Sinhalese culture and civilization. Buddhism appealed directly to the masses, leading to the growth of a collective Sinhalese cultural consciousness.
In contrast to the theological exclusivity of Hindu Brahmanism, the Asokan missionary approach featured preaching and carried the principles of the Buddha directly to the common people. This proselytizing had even greater success in
Buddhism also had a great effect on the literary development of the island. The Indo-Aryan dialect spoken by the early Sinhalese was comprehensible to missionaries from